Electra phoenix guitar serial number serial number#
Electra phoenix guitar serial number professional#

And in that light, the Nicerizer 16 gives about a yard in a game generally measured in inches.īecause there's a Logic-based DAW at the heart of my studio, and my only eq's are the TC/Sony Oxford and UAD Cambridge, I have to make triple-sure that everything else in my chain is 110% tone. I am definitely one of those guys who smiles from ear to ear when I hear all the right kinds of coloration and distortion that are, for me, the hallmarks of great analog. these get knocked around on a daily basis by pros and hacks alike, and it's generally because they either have the ears and the kit to capture and enhance those qualities, or they're lost in a digital void and seeking them like the holy grail.

Words like warm, round, fat, thick, deep, wide, punchy, airy. 'Better,' of course, is a highly subjective thing, and there are times and places when transparency and accuracy are desirable.īut for most of us, there are qualities of sound that we just can't get enough of, and no shortage of adjectives to describe them. Tagged electra, japanese, Matsumoku, phoenix, Westone.There are a precious handful of folks on this planet who have the ability to design a circuit that takes whatever you give it and spits it out the other end sounding better. – Bridge+Middle: 9/10 (awesome hollow midrangey sound) – Lead Playability: 6/10 (small frets, typical Matsumoku) – Working order: 9/10 (no major gremlins)

Electra phoenix guitar serial number professional#

– Cosmetics: 4/10 (lots of chips and dings, probably needs professional repair) Sort of like the way some guys stay married to their first wife. I can’t get a bad sound out of that guitar! But this one only has that one great hollow sound that I can’t duplicate with my other guitars, so I’ve kept it. Aren’t all my guitars? Well, the American Standard Strat isn’t. People just didn’t get ‘meta’ humor back then.Īs I am fond of saying, this guitar is a one-trick pony. I’ve never smoked – not even tobacco! I just thought it would look dumb if I had a cigarette there and didn’t take a drag from it. The burn on the headstock was because I put a cigarette there the first time I played a show.

Teenagers shouldn’t be allowed to own things. Too bad it feedbacks easily, either pickup sucks on its own, and the neck pickup also sucks. Sort of like a really mellow wha-wha pedal pressed halfway down. It has a great hollow, gutteral midrange bark that no other guitar I’ve ever owned has. I usually play it in conjunction with the middle pickup. The bridge pickup was lame, so I replaced it with the bridge pickup from the Synsonics Terminator. I’ll put the original bridge back on if I find it. I think Campbell’s Music? I don’t like it. The tremolo is a heavy brass unit I bought somewhere. This isn’t meant to be a Super-Strat anyway. Fortunately I specialize in Johnny Ramone slash-and-burn bar chords. It plays like my other Matsumoku guitars – low action, comfortable neck, but the frets are too small for shreddin’ and headbangin’.

Electra phoenix guitar serial number serial number#

I could check the serial number but I don’t care. That makes it an early1984 model, or possibly late 1983. This was one of the last Electra models imported by Saint Louis Music before they switched to Matsumoku’s Westone brand. Same body shape, same headstock, same wood type (maple), same tiny position markers. This Electra Phoenix obviously looks a lot like my Westone Concord SX. My mom bought it and a solid state Marshall practice amp at a yard sale for $60. I believe I got this for my fifteenth birthday. Nobody takes a guitar with a built-in speaker seriously – not even me.

It wasn’t like my Synsonics Terminator was an ‘air guitar’. Well, the others were real in a technical sense. This Electra Phoenix was my first real electric guitar.